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Henri Bendel – Colette Malouf & Count Me Healthy

9 May

Text, Vivian Kelly

Henri Bendel = the Ultimate Accessories Emporium

Colette Malouf’s Night Fever Collection – wire mesh headband

We went over to Henri Bendel’s to attend a press event for Colette Malouf’s new spring 2012 “NightFever” line of hairpieces and jewelry. Colette wasn’t  there, but her PR Rep could not have been nicer and we played for a while trying on different headbands and a gold mesh bracelet from the “Night Fever” collection I’m in love with now.

TO READ THE ENTIRE ARTICLE PLEASE JOIN ME ON MY NEW URL: http://www.thefashionexaminer.com

The link to this article is: http://wp.me/p2gtii-1pw

See you over there and don’t forget to subscribe! XO

 

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New Location! Come on Over to our new Web Address

7 Mar

Hi All!

In case you missed it the first time around, this is the new URL so when you come here – please get rid of the “wordpress” part of the address – you need it anymore.

THE NEW URL IS: http://www.thefashionexaminer.com

Your subscriptions are GREATLY valued and p/s click the SUBSCRIBE button after entering you email on the new site and you’re good to go!

I’m posting every other day as usual and lots of good stories for spring 2012.

THANKS!

XO  Vivian

FE Friend Sofia Bak Reports From The Trenches at LONDON Fashion Week: Day 1 of LFW

19 Feb


Text, Sofia Bak
Images Sourced by Vivian Kelly. from designscene.net
Up like bullet at 7, throw on Lako Bukia, Onna Ehrlich-Bell and mom’s black vintage Zorro hat. Running late for the 9am show…as always…lovely new assistant Anna Komolova saves a seat…Antoni & Alison wake everyone up with loud crazy music and a concept to switch your brain into gear…loved 1 dress…out on the street to shoot for Vogue Italia…street style photographers outnumber possible models…I finally find 1…10 more want to shoot her…mostly ended up shooting other street stylers all day…but felt like I got shot more than I shot them…it’s the blue dip dyed hair. Speaking of which…the only street style trend I’m seeing so far is coloured hair…seemed like practically everyone had a splash of colour this season. Took a break with tea & cake at Orla Kiely presentation where models were showing off outfits at a 50’s style dance…did they book the ones who could dance or teach them? Beautiful, romantic…oooh macaroons! Run in at the last minute for (friend) Francesca Marotta debut show, stunned by the Italian widows, bloody tears, great acting skills on the models and lace…lace…lace. Turned away with a seated ticket for Bora Aksu show. Weird. How did they manage to organise that?! Brilliant casting at Felder Felder, lovely to see my girl from Kiev Fashion Days – Alla Kostromichova opening...great prints and new knits. Love. Watched another brilliant fashion film by Ada Zanditon. Found incredible footwear architect Julian Hakes at the exhibitions…shot man in a Another photo by Diamondo Christofilatex woman: Pandemonia…dying by the time Jena Theo show rolled in…but loved every piece. Would buy 99% of it…it’s like they thought…what does Sofia like to wear…baggy black tops and skinny jeans it is.
Photographed by Diamando Christofi, Contributing Editor, London, at Designscene.net
Now hating my life because all I want to do is pass out but I have 468 photos and 98 e-mails to go through (99 by the time I finished this…damn now it’s 101). And you always ask me if I’m LOOKING FORWARD to fashion week and if I’m going to any PARTIES. This is just day 1…in a NUTSHELL!

Maria Maria Maria! [Sharapova] – That Is, Styled by Leonard Zagami For NYFW

17 Feb

STORY, Anthony Palermo

Preface,by Vivian Kelly

I’ve always admired  gorgeous women with long blonde locks since I was 5 years old, starting with Goldilocks and  later, Princess Aurora, Farrah Fawcett Majors, Marilyn Monroe and more recently, Blake Lively and Maria Sharapova. Family friend, William, then a Dutch University Student, and now a KLM pilot, jokingly showed me an image of Maria Sharapova on his iphone, casually calling her “my girlfriend” and then laughing when I believed him – for a second.

Apparently, we weren’t the only ones to think Maria was something really special.

This season, at NYFW, Maria was front row at some of New York’s biggest shows. Below, Anthony Palermo, tells us how his ALS partner, Leonard Zagami, created some fresh looks for the gorgeous tennis star. I’ve featured the one she sported at the Marc Jacobs show.


And, now… here’s Anthony!

“Mercedes Benz Fashion week is always filled with fabulous people. These Fall RTW 2012 collections were more about the who’s who in the front row. One of our all time favorites , Maria Sharapova , knows how to make an entrance and cause a frenzy on the court, but the real commotion starts when she is spotted at all the hottest shows!  Celebrity make up artist  and  friend of the AnthonyLeonard Salon ,  Andie Markoe -Byrne, teamed up with  Leonard Zagami, Creative Director of ALS,  to complete Maria ’s looks for the shows.

Read on as Leonard explains look 1 of the 3 looks he gave the grand slammer for this very fashionable NYC Week!

AT Marc Jacobs:

Maria , seen here with famed photographer  Patrick Demarchelier and his wife Mia , had a slightly pinned back side part . “I used Super Shine Cream by Oribe   to get a sleek look with out it being too overdone” says Zagami. ” I also used a Kent Brush ( for fine hair) to help smooth down fly-aways”. Maria usually  parts her hair in the middle so this was a great change for her!

To read and see all 3, go to anthonyleonardsalonblog. There, you’ll find out how Leonard styled her for her appearances at Vera Wang and Oscar de la Renta. If you’re sitting next to Anna [Wintour], you had BETTER be on your game! Thanks to Leonard, Maria looked every bit the star she is.

True Fashion – The Legend of Lady White Snake, Starring Daphne Guinness

15 Feb

Text, Vivian Kelly

Reported by Vivian Kelly and Laura Wood

Photograph of Daphne Guinness by Markus Klinko & Indrani

WHAT: a Grade-A platinum fashion moment at 172 Norfolk Street, NYC

It’s taken me two days to fully digest the events of Sunday night. It’s not often I get a dose of pure undiluted high octane fashion.

Laura and I arrived at the Angel Orensanz Foundation for Contemporary Art at 10:00p.m. on the dot. THIS was NOT something either of us wanted to miss a second of. We had high hopes for this event, in part due to two days worth of experiencing the polished sterility of the Lincoln Center Venues and the accompanying jitters of sucking down one too many cans of  free Diet Pepsi. We were actually look forward to visiting Alphabet City as the Lower East Side is the only remaining vestige of “NYC Eighties cool” that still survives. Going down there is fun and makes me feel 25 again.

The Angel Orensanz venue is the artist’s creation and is a cross between a Russian Orthodox Church and a nightclub, in other words, Limelight, when it just started and was THE place to go and dance until 2:00a.m. before going off to Florent in MeatPacking to have something to eat before trying to score a taxi willing to take us back to Laura’s apartment in the Village.

It was obvious from the moment we entered that this was “a happening”. First, there were the photographs – giant sized ones of Daphne Guinness posing in her astounding McQueen Couture, which she wore in the film. Catwoman has nothing on Daphne who was dressed up as a high fashion villainess in a red catsuit and insanely high heels. I’ll need to win Powerball to scratch this itch as I mentally “bought” four of the photographs that would look amazing in  The Fashion Examiner office and  fireplace room. Total cost for four of Markus Klinko & Indrani’s fabulous photos of Daphne = $160,000. These photos really DO “combine story-telling with cutting-edge fashion”.

Next, we ambled over to the well-stocked bar – no yukky plastic glasses here – and sat down in a padded bamboo gilt chair just as Daphne made her entrance in an incredible chainmail gown and a head ornament loaded with what I’m assuming were probably actually diamonds rather than Swarovski Crystals.

The film itself was genius – a cross between a poetry reading and a couture fashion show. It may sound odd, but it was spectacular. On our way out, Laura stopped to chat with a young female editor to get her take. Like us, she was blown away and was going to Google the film and read Neil Gaiman’s poem. The point of the film though, was the EXPERIENCE and it got a 10/10 on that score. After this visual feast, we got an auditory one – a performance by the very talented Viva Girls, who were perched like a row of angels in blue ball gowns to the right of the massive screen.

The grand finale to the event was a capsule collection of gowns from the new Genghis Khan collection designed by GK Reid. We loved the hooded one and his concept of transformative styling and dressing – something we can totally get behind.

SO, which of Markus Klinko & Idrani’s photographs of Daphne Guinness would YOU like to take home with you?

Daphne in her Chain mail Couture

Bowery Hotel + Dominic Louis = Modern Medieval Luxe

11 Feb

Text, Vivian Kelly and Laura Wood

This was the last show of the evening and we almost didn’t go but thanks to the ridiculous self-created chaos at Milk Studio we scrapped our plans to stay for Erickson Beamon, M. Patmos, and John Bartlett. Lucky for us, we’d gotten our interview with John early on – [thanks Ross from the Deborah Hughes team!].

Chaos Outside Milk Studio, Thursday Night, 9:20p.m. - No one's getting in at this point!

We heard later from Tracy E. Hopkins of Everythingshewants.net that the only way she and her friends were able to stay inside until the 9:00p.m. doors open time was by convincing the security guys who were manning the Libertine show was to let them stay in the building thus avoiding the Studio54-esque lines that extended way past Jeffrey’s.

A cab ride later we entered one of our favorite venues, the ski lodge like atmosphere of the Bowery Hotel’s private party space complete with roaring fire, medieval tapestries, and moroccan tiled floor. The only fly in the ointment was that it was a cash bar but that was offset by the complimentary bobble water bottles.We even posed for them and the bobble is in our bags now at all times.

This Versus the Line At Milk - Where Would YOU rather be?

As far as the clothes – a pleasant surprise; the more we looked the more we liked.  The first impression is how wonderfully the clothes fit with the atmosphere of the venue ie: a perfect presentation. On the way back to the Club, we reflected how these wonderfully constructed clothes would not have have fared as well on a traditional runway. These clothes needed to be examined close-up in order to fully appreciate the detail.

The "everything dress" at Dominic Louis

My Contributor, Laura Wood, and Ellen Sears, AAU Online Director of the Fashion School all loved and agreed we would wear the black knit sweater dress. This dress takes into account the idea of season-less dressing which is particularly relevant these days as the weather is so unpredictable. Paired with a a long sleeve top and with a coat, its good to go for a cold 30F day like today. It works just as well in 40-60 degree weather worn on its own with little ballet flats or high sandals.

There were several pieces with hoods for men and women that had were reminiscent of the hooded cloaks worn in Medieval times. A cloak seems like a fresh alternative to a coat. The most spectacular piece was two piece ensemble combined hard and soft. The breast plate-like shell top was intricately worked leather. The more you looked the more of the design you noticed, just as you would a finely carved sword handle. It may be highly “editorial” [translation – not for everyday] but we wanted it anyhow.

Last but not least, we stopped on the way out to admire the art house photogpraphs, especially the one of the fierce guy wearing a ball-gown skirt.

Note to Designers for next season – we’ll go to see anyone who shows here!

Fashion + Film + Fashion Icon Daphne Guinness = Genghis Khan Collection / Premiere Screening of “The Legend of Lady White Snake”

10 Feb

Text, Vivian Kelly

Topic- Daphne Daphne Daphne!

Daphne Strikes  A Pose For MAC Cosmetics

Genghis Khan Collection / Premiere Screening of “The Legend of Lady White Snake”

I’m obsessed. Daphne Guinness is the subject of this latest fashion obsession.  I “went there” and asked friend, Anthony Palermo, of the Anthony Leonard Salon to dye my hair as blonde as it would go. After two bleaching blasts in the past 12 weeks, I’m there, with the exception of the black skunk stripes Daphne sports. I’m not ready for that as such a couture look requires wearing 5 inch heels and vintage McQueen couture, which would be fun but just not within my reach just yet.

In the meantime, I’m buying up pieces of Daphne’s capsule collection created for MAC Cosmetics. Thus far, I carry the following around in my Volvo [while in the Country] or in my leather Birkin-esque satchel [while in NYC]: “Fling” Eye Brow Pencil – THE perfect shade for you platinum blondes out there who don’t want to mess about with powders and brushes

Cremesheen LipGlass in “Richly Reserved”

Next to buy between shows are:

Pro Longwear LipCreme in “Approaching Storm”– I struck out at the Grand Central station location – they sold the 6 tube they’d been allotted.

“Red Dwarf” [a maybe]

Blush Ombre in “Azalea Blossom”.

Thankfully, in NYC there are ample opportunities to snatch up some MAC Cosmetics – almost as many as getting my frozen mocha frappe fix at MACDonalds.

Once I’ve scooped up the remaining Daphne pieces, I’ll be ready to attend one of my top 3 events of this NYFW – The screening of THE LEGEND OF LADY WHITE SNAKE, starring Daphne, co-written by the white hot Neil Gaiman and Bernard Henri Levy and directed by Indrani.

The premiere is Sunday night at 10p.m. with a write-up and more images to follow post-event.

Last Thoughts: FIT did what I heard was a wonderful exhibit of Daphne’s clothes. I’ve posted a few images here. Which one is YOUR favorite?