Text, Vivian Kelly and Laura Wood
This was the last show of the evening and we almost didn’t go but thanks to the ridiculous self-created chaos at Milk Studio we scrapped our plans to stay for Erickson Beamon, M. Patmos, and John Bartlett. Lucky for us, we’d gotten our interview with John early on – [thanks Ross from the Deborah Hughes team!].
We heard later from Tracy E. Hopkins of Everythingshewants.net that the only way she and her friends were able to stay inside until the 9:00p.m. doors open time was by convincing the security guys who were manning the Libertine show was to let them stay in the building thus avoiding the Studio54-esque lines that extended way past Jeffrey’s.
A cab ride later we entered one of our favorite venues, the ski lodge like atmosphere of the Bowery Hotel’s private party space complete with roaring fire, medieval tapestries, and moroccan tiled floor. The only fly in the ointment was that it was a cash bar but that was offset by the complimentary bobble water bottles.We even posed for them and the bobble is in our bags now at all times.
As far as the clothes – a pleasant surprise; the more we looked the more we liked. The first impression is how wonderfully the clothes fit with the atmosphere of the venue ie: a perfect presentation. On the way back to the Club, we reflected how these wonderfully constructed clothes would not have have fared as well on a traditional runway. These clothes needed to be examined close-up in order to fully appreciate the detail.
My Contributor, Laura Wood, and Ellen Sears, AAU Online Director of the Fashion School all loved and agreed we would wear the black knit sweater dress. This dress takes into account the idea of season-less dressing which is particularly relevant these days as the weather is so unpredictable. Paired with a a long sleeve top and with a coat, its good to go for a cold 30F day like today. It works just as well in 40-60 degree weather worn on its own with little ballet flats or high sandals.
There were several pieces with hoods for men and women that had were reminiscent of the hooded cloaks worn in Medieval times. A cloak seems like a fresh alternative to a coat. The most spectacular piece was two piece ensemble combined hard and soft. The breast plate-like shell top was intricately worked leather. The more you looked the more of the design you noticed, just as you would a finely carved sword handle. It may be highly “editorial” [translation - not for everyday] but we wanted it anyhow.
Last but not least, we stopped on the way out to admire the art house photogpraphs, especially the one of the fierce guy wearing a ball-gown skirt.
Note to Designers for next season – we’ll go to see anyone who shows here!