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The Callula Lillibelle s/s2012 Show at the Box, Lincoln Center

19 Sep

Text, Vivian Kelly

It was early in the morning, mid-way through NYFW, and in the dash from our West 56th Street hotel to the Lincoln Center tents to go backstage for Callula Lillibelle, no time for some sorely needed coffee. The lobby at Lincoln Center was weirdly empty, but Neiman Marcus’ Fashion Director, Ken Downing was there, Starbucks in hand, and we stopped by to chat and to get a bead on what one of fashion’s sharpest forcasters thought of the New York s/s2012 season so far. I mentioned we were on our way to chat with William Calvert, backstage at Callula Lillibele.

“Is it Neiman’s?” Ken asked us as Mark [Behnke, of Fashion Tribes],whiled- away those few pleasant moments before hitting backstage.

Good question. I replied, “Hm, well there was a great coat I saw last time.”

“Honey, it takes more than one coat to be in Neiman Marcus” he joked. It struck me then, how hard his job is. I kept that question in mind a few minutes later, as I watched the models get into their looks and pose on the white backdrop backstage, presumably for the lookbook that would be in stores for spring.

I finally actually “met” the designer, William Calvert, after an aborted attempt to record our phone conversation a few months earlier, in which he told me that C.L. had a few winning silhouettes that worked well from size 2-12 and that he worked on tweaking the winning formula each season. I botched that interview, but this describes Callula’s mission – to make women look good and to as the French so aptly put it, “look comfortable in their skin”, and to be proud of their curves.

During our backstage interview, that took place in front of the scrim where the models were posting for the look book, William said “Callula Lillibelle is primarily a dress collection” and in answer to our other question, “it sells at Saks”. Unsurprisingly, the strongest looks were dresses such as the lemon/silver stretch tweed boatneck one that would look as good on a curvy woman as on the size zero models posing in the Box presentation.Best in show was the white “Penelope Cruz” – that had a beautiful wrap front bodice, that was both glamorous and practical.

While pointing to the models posing in front of him , he told  us that he was inspired by strong curvy fashion icons such as Sofia Lauren, Penelope Cruz, Beyonce and Rihanna. Clients and fans include curvy ladies such as Oprah and Gayle King.

There were though, non-dress looks that stood-out, such as the right-on-trend pink jacquard jacket over an ivory dot lace tank and ivory pin dot slouchy shorts. It seems that grown women really WILL be wearing shorts to work, after all. Both looked great with a pair of chic Stuart Weitzman pumps.

 

 

To answer Ken’s question, ["Is it Neiman's?"], we concurred that Callula is a solid collection that is perfectly placed at Saks, rather than Neiman’s which houses cutting edge design and where shoppers go to find what they expect to see on the pages of US Vogue. The Neiman’s woman is one who counts fashion and her wardrobe in her top three life priorities. Neiman’s top customers have Ken on speed dial.

By contrast, Saks and Callula are more mellow in their approach to fashion. This brand offers an excellent fit and the fact that the designs do not vary radically from season to season is reassuring to women who want some style but who don’t want a whole new wardrobe each and every season. This collection fits her lifestyle, as while she enjoys her fashion, she doesn’t want [or need] it delivered at warp speed. She paces herself with easy to wear fashions such as Callula. Fashion and her wardrobe are important but rank lower on the priority list, and like Saks, there is a sense of decorum in her attitude. Despite the year-round throng of tourists and buzz, the Saks Fifth Avenue flagship continues to maintain the air of stately dignity when well-to-do ladies shopped there on their way to lunch and their choice of gloves was an important matter. Similarly, Callula also possesses that gracious sensibility but there’s no better way to experience it than to slip on one of William’s dresses and to see for yourself.


‘JWOWW’ aka Jenni Farley – Why DO We Celebrate Bad Behavior?

23 Apr JWoww in action

Text, Vivian Kelly

I know, “style” and The Jersey Shore in the same sentence? I’m kidding right?

Yes and no.

Style does NOT always mean “in good taste” like the ladies in Assouline’s STYLE series. While that’s what I love, maybe I’m in the minority. This possibility smacked me upside the head as I sat watching an episode of CSI:Miami on a plane bound to Puerto Vallarta last weekend. The suspects, obnoxious partying kids on a hit TV show, were obviously based on The Jersey Shore. It was so  thinly disguised, I wondered why they bothered to change the names of the kids and the show.

Anyhow, as I sat back and watched, I went from wondering for the umpteenth time, ‘WHY would the public make these kids stars and God forbid, make stars of them?’

The most horrifying moment in the CSI episode was not when we found-out that [I think it was [Sammi] – ‘JWOWW’ – was the guilty party. She had killed her female costar by driving a piece of ice she pulled from the crown of the Statue of Liberty ice sculpture into her eye in a fit of rage because the latter was leaving the show and “ruining everything”.

Horrible yes, but worse was her pathetic back-story, which she explained to ‘Lieutenant Horatio Caine/David Caruso.

She was not REALLY ‘Sammi’, she of the sleazy spray tan, 11 inch skirts, big hair, and endless hook-ups and one night stands. The real shocker was that she was actually a nerdy Med Student who was sick of being a dateless MIT brainiac whose phone never rang on a Saturday night. The kicker – she killed a cast member whose departure from the show would have “ruined her life”.

Grossed-out, I kept researching, at 5a.m. Puerto Vallarta Time.

REALITY TV star Jenni ‘JWoww’ Farley has a murky past.

According to RadarOnline, the Jersey Shore babe’s ex-boyfriend required 37 stitches in his arm after she stabbed him!

“Jenni put a kitchen knife through my entire arm,” Tom Lippolis told Star magazine, which hits the stands nationally Friday. “I thought she was going to kill me.”

Woww.

Here’s my big question – When the action’s not scripted, ie: on the show, what is REALLY there?

Why do we watch “the kids”?


A Changing of the Guard – the New Ports1961, Still in Formation

6 Apr

Text, Vivian Kelly


I miss the old Ports1961. The Ports I’m referring to is the free wheeling upscale boho aesthetic former Ports designer, Tia Cibanni, channeled in her women’s collection and the engaging V.P of PR and Marketing, Tony Alcindor, got us editors to know and to love. The vibe was “gypset” ie: a well-travelled woman who needed beautiful clothes cut from interesting fabrics that she could wear in Milan, Paris, Miami, New York, or Tokyo. The Ports woman was a free spirited globe trotter and I identified with her and cherish my pointy silver and black silk lame jacket to this day.

Glenda Bailey, Harper’s Bazaar Editor in Chief liked it too. As a result, Ports consistently got a lot of play in one of fashion’s most important glossies.

Recently, there’s been a changing of the guard. Perhaps it’s due to the harsh economy, or just Management’s desire for change. In any case, there’s now a new head designer, Fiona Cibanni, Tia’s sister, a men’s collection, co-designed by Ian Hylton and Fiona, and a very different philosophy. The men’s, which showed in Milan, was  stream-lined, neutral, and expensive-looking in that wealthy Milanese gentleman-type way. Even if you’re a jeans and tee kind of guy, you’d enjoy looking pulled together like this when the occasion arose for “serious” dressing.

I learned a little more when I dropped into the Ports showroom downtown feeling energized and inspired after a tour of the Assouline offices and lunch in the cafeteria with Assouline‘s Mimi Crume, just a few yards away from the Ports showroom.

I dropped in and  Ports PR Manager, Samantha Frappied, filled me in and showed me some of the new designs.

Samantha described the new Ports as sleeker, more refined, and with more attention to fabrics. There was a stunning red day dress shot-through with silver threads. It was a shift – I breathed a sigh of relief. Ports would REALLY not be Ports without their shift dresses.

Change extended to the accessories. No more shoe and bag collaborations – Ports will be taking that in house going forward. No more big Tent shows, no more Lincoln Center. Indeed, the last show was moved from the previously scheduled big Tent to a much smaller  show with only 200 people on the list. Shades of the Tom Ford Women’s show…??

In the meantime, I take back my words to my friend, Mark Behnke of Fashion Tribes – this version of Ports IS different, but different can be as good or better. I’m looking forward to the cruise/resort collection to form a cohesive picture in my mind.

Libertine’s Johnson Hartig, Talks about his Creative Process Backstage pre the fall 2011 Show

8 Mar

Text, Vivian Kelly

Model backstage at the Libertine fall2011 Show

My earlier post served as an intro to this line that’s been a Vogue favorite for quite some time. Since he launched Libertine with former partner, Cindy Greene in 2001,  designer Johnson Hartig has collaborated with Damien Hirst and Goyard and at the opposite end of the spectrum, with Target.

And why not go high-low if it’s “right”? After spending some one-on-one time with Johnson, it’s clear to me that he’s a free spirit who works from his gut.

 

Rules? Shmools. When I asked about the Pantone Color Chart and if he paid attention to the “top 10 colors” of the season, he laughed. He’s right though, because since the late Nineties, it’s increasingly hard to dictate trends to women. With the advent of the Internet, women have far more information at their disposal and are far less reliant on fashion bibles to tell them that they should be wearing shoulder pads or green this season and should chuck anything with a print on it, etc. etc.

Tomorrow, the video which gives a peek at Johnson’s creative process, one that created one of the best collections at this latest NYFW.

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