Text, Vivian Kelly
A few weeks ago, while in Town [NYC] to check-out Douglas Hannant’s new PINK collection, I had a number of interesting conversations. One of these was with an industry insider, M, whom I’ve known for 20 years, and whose opinions I respect. We had been rehashing a few of the recent NYFW Shows. Farah Angsana, an eveningwear designer came up.
I remarked that I’d been following her for 4 or so years ago, starting back when I attended the now defunct Mercedes Benz LA Fashion Weeks at Culver City, CA. She and Kevin Hall were consistently among the best shows there. Ms. Angsana knew how to shape a beautiful bodice – which reminded me of Nineties designer, Donald Deal – who may have missed his calling. HE should have been working with movie costume designer Edith Head. Together, they would have designed some utterly unforgettable gowns for Grace Kelly, similar to the stunning aqua one she wore in To Catch a Thief (1955).
Prior to seeing the butterscotch ruffled ball gown in this collection, I had associated the words, “beading” and “bling” with Ms. Angasana’s evening gown designs. This gown showed her ability to deliver design that is understated and elegant and that whispers rather than shouts. Designs such as these play better in the Box’s Art Gallery setting rather than on a runway with blaring music in the big tent’s stadium-like venue.
“Sometimes less is more, said my friend, M. It really worked better for her showing in the Box than having a big runway show.”
She’s right. I admittedly only saw a few of the looks before rushing off to the next show, but was impressed by the elegant looks I did catch. In our short interview, Ms. Angsana said that she was inspired by a recent trip to Asia and numerous visits to art galleries and museums in which she was sparked by the gorgeous fabrics and embroidery treatment she admired there.
Watch the video below, to hear the details.